35mm
Stories from Grainpress on this topic.
Two retailers have listed a Harman color negative film that Harman itself has not yet named. We report what the listings show, and what they do not.
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Harman changed what the film is coated on rather than what it is coated with, and is selling a small quantity to find out whether photographers will pay for the difference.
A new dedicated 35mm scanner, in a category that has been shrinking for years. Plustek has not published what it costs.
The 35mm black-and-white film has reached Lucky's own shop, while reports of a 400-speed companion remain short of primary confirmation.
Harman has brought back the original Phoenix emulsion with a lower box speed and a new DX code. We think the price cut announced alongside it is the larger story.
Lucky Film's second modern colour emulsion turned up in a distributor's storefront this week with no announcement attached. It is already out of stock, and the medium-format question nobody has answered is the one worth watching.
Film feels more expensive than ever—but is it? We compare Tri-X prices in 1977, 2005 and 2026, plus the per-frame cost of film versus digital. Whether cost makes the photographer more thoughtful or constrained in an open question, and one we explore here.
We spend time with Nikon's last great enthusiast film body, which is too modern to be loved, but too capable to be ignored, and ask who it actually makes sense for now.